Did The Penguin take flight in its second episode?

Or is the Max mob drama merely waddling along, burdened by an excess of tonal shifts and twisty subplots?

Should we be rooting for Oz as the sort of antihero that helped make TV’s second golden age so memorable?

CobbCobb
(Photograph by Macall Polay/HBO)

Or is he a soulless sociopath whose only concern in life is securing a stronger position in Gotham’s underworld?

These were just some of the questions that TV staffers Lisa Babick, Thomas Godwin, Whitney Evans, and Tyler Johnson addressed in our round table discussion about The Penguin Season 1 Episode 2. Check it out:

We get a stronger sense of how dangerous Sofia is in this episode. Do you think Oz’s decision to position himself as her number-one ally through dishonest means is a smart move? Or is he flirting with disaster?

Lisa: Oz doesn’t have a choice with Sofia. He knows how dangerous she is, but I don’t think he realizes how smart she is either. They’re both using each other as an end to a means.

She wants to punish her uncle and the other “old men” who dismiss her. Oz right now is just trying to save his skin.

Yes, he wants that underworld thone, and the way he’s manipulating the playing field will help him get there, but his immediate concern is to hide the truth about his killing Alberto.

Oz is definitely flirting with disaster because I think Sofia knows more than she’s letting on.

Making his next move.Making his next move.
(Photograph by Macall Polay/HBO)

Whitney: He’s definitely flirting with disaster, but he’s also putting himself (and being put in) positions where he has no choice but to go along with what’s being asked of him. He’s walking a very dangerous tightrope right now, and it’s not going to take much to get him to fall.

But I’m so excited to see how Oz and Sofia tiptoe around each other. There is no way Sofia actually trusts him, but what’s her endgame? And who will outsmart the other?

Tyler: Oz and Sofia will obviously come into conflict this season. But at this point, he has little choice but to remain on her good side.

He limited his options — maybe for the rest of his life — when he shot Alberto, and for the time being, Sofia is his only foothold on the ladder of upward mobility that’s so important to him.

That said, he’s well aware of her instability so if/when this new alliance backfires, Oz will have no one to blame but himself.

One undeniably savvy trick on Oz’s part was pinning the murders of Alberto and Ervad on Castillo. Did you buy that scene, or did you think Sofia came off as uncharacteristically gullible?

Lisa: Sofia is far from gullible. She knows what’s going on. But she wants to use Oz to do her dirty work to keep her hands clean. One reason is that she really wants to shed that “insane” label people have cloaked her with (true or not).

Sofia is not a happy camper.Sofia is not a happy camper.
(Photograph by Macall Polay/HBO)

The second reason is that she wants Oz to suffer for taking Alberto from her. So, two birds with one stone.

Whitney: I actually loved that scene because it didn’t go how I was expecting, and I love when a show proves me wrong after I’ve rolled my eyes and swore to God I knew what would happen.

I agree with Lisa, I feel as though she has a pretty good understanding of what’s actually happening around her, and she knows Oz has his hands in different pots. Sofia may be a lot of things, but I would never call her gullible.

Thomas: She came off as a little too gullible. Whether that’s an act or not (probably an act) remains to be seen. I remember thinking that this is all wrapping up a little too neatly for Oz.

Tyler: Yeah, I also felt like things wrapped up a little too easily for Oz in that scene. But that may have been by design, as Sofia could be playing the long game.

Then again, she was consumed by rage and grief throughout her brother’s funeral, and her judgment may have been clouded. It’s worth nothing that while she demanded Castillo’s gun, she’s not the one who wound up shooting him.

I think that’ll prove significant later on in the series.

Vic forgot about the cilantro again.Vic forgot about the cilantro again.
(Photograph by Macall Polay/HBO)

The second episode really fleshed out Oz as a complete character. He’s no longer the one-note gangster archetype we met in The Batman.

Are you hoping for more backstory and subplots involving his mother, or would you rather see the show focus its attention on the twisty, noirish storylines?

Lisa: Everything about Oz’s life is essential to his character and will help us understand him better but he’s a gangster first and foremost. That’s never going to change. I think it would be interesting to see his backstory to round him out, and his mother is an integral part of that.

Whitney: I’m more into the twisty, noirish storylines, but I do think that shading Oz is will do wonders in the long run. That simple scene with his mother was a great way of peeling back the Oz layers, and showing us why he’s so hellbent on making a name for himself. I love the show as it, so I’m here for all of it.

Thomas: There’s plenty of meat in the subplots for now. Too many series spend so much time tying strings that it becomes a convoluted mess. It’s called “The Penguin,” after all, so I’m perfectly happy seeing the story continue to focus heavily on Oz.

Tyler: While the efforts to humanize Oz are absolutely necessary and understandable, I think this show is at its best when its protagonist is plotting and scheming.

It’s been thrilling to watch Oz play the Maronis and Falcones against one another, and I can’t wait to see what will happen his loyalties are a bit more clearly defined.

Nadia MaroniNadia Maroni
(Photograph by Macall Polay/HBO)

Thus far, The Penguin’s greatest weakness is its superficiality. I’m not saying a series from the Batman universe needs to be delivering Sopranos-caliber subtext week after week, but I’d feel the stakes more if the non-Oz characters were more fully fleshed-out.

That said, if the writers decide to focus on the noirish elements and keep the ancillary characters as pawns in Oz’s game, that could work, too. I just hope they’ll fully commit to one approach or the other. Otherwise, the series could wind up spreading itself thin.

At one point, Oz tells Sofia that his mother is dead. He also claims that two of his brothers were killed. What did you take away from that scene? Do you think any part of his story was true? Is he even more of a dishonest manipulator than we thought?

Lisa: Clearly, Oz’s mom isn’t dead. But the story about his two brothers is still unclear. I do think they died, just based on what we learned in the first episode. Something happened to them, which completely mentally destroyed his mother.

What exactly happened to them, we don’t know yet. And while he is a manipulator, he wasn’t lying about his mother to manipulate Sofia. He lied to protect his mother.

Oz will die for and will kill to protect his mom. So the worst person in the world to know his mom was alive would be Sofia. This is why he lied about that.

Whitney: I assumed he’s just trying to protect his family. In The Penguin Season 1 Episode 1, he went through a lot of hoops to get out to his mom’s house, so it’s obvious he keeps her at a distance for her protection.

Luca FalconeLuca Falcone
(Photograph by Macall Polay/HBO)

Oz seems like someone who mixes truths and lies a lot. But there’s a deeper story there, and I am eager to find out about his past. They’ve definitely piqued my interest there! But is Oz a master manipulator? Well, yes.

Tyler: This is a fairly straightforward show in terms of what drives its central characters, and this was the first scene that might’ve left a lot of viewers scratching their heads, not only with regard to what’s true, but also in terms of motives and how much the characters know about each other.

Oz obviously wants to keep his mother safe, but what’s the deal with his brothers?

In previous scenes, we got the impression that Oz has been on Sofia’s radar for quite a long time. She obviously does her research and is not one to be easily fooled, but did he slip one past her here?

Oz is obviously trying to get into her good graces by relating his own traumatic experiences, but I’m not sure the move was as effective as he thinks it was.

We also see Oz at his most brutal in this episode. It’s not the first time he’s killed someone, but Ervad was defenseless, and he had just agreed to go along with Oz’s scheme. Plus, the murder was especially graphic.

Do you think the show is in any danger of taking Oz from likable antihero to just another villain in a world that’s already full of them?

Lisa: He’s a gangster. Other than his mother, he’s only going to look out for number one — that being himself. It’s a dog-eat-dog world, especially now with Gotham in chaos.

Is Eve going to be a problem for Oz?Is Eve going to be a problem for Oz?
(Photograph by Macall Polay/HBO)

Ervad was nothing to him, and killing him was a necessity. If it was the other way around, do you really think Ervad wouldn’t have done the same thing? Of course, he would have.

Oz isn’t supposed to be a likable anti-hero. He’s a supervillain in the Batman universe. And in this show he is more Al Capone than Tony Soprano.

Whitney: Oz is a villain in my eyes, and villains do bad things. As simple as that sounds, that’s how my brain works. I’m never here for things getting too graphic, but I think that the realities of the criminal underworld are violent.

One of the things I’m really enjoying thus far is that I want to like Oz at certain point, but know I probably shouldn’t. And I’m rooting for him, even though he’s not a good person. The fact that the show is building up such strong emotions inside of me means they’re doing their job.

Tyler: I guess I disagree with the notion that Oz is not supposed to be likable. A show that’s this thoroughly centered on one character can’t function in the long term if we’re not able to root for him on some level.

Despite the large and talented cast, this is not really an ensemble series. As the title indicates, the focus is very much on the protagonist. He’s a villain in relation to Batman of course, but this show is clearly interested in developing him into something much more nuanced and complex.

Oswald CobbOswald Cobb
(Photograph by Macall Polay/HBO)

If Oz remains in the realm of a Tony Soprano, a Don Draper, or a Walter White, then the audience is more likely to remain invested in his fate.

But if he veers into the realm of Joffrey Baratheon or C. Montgomery Burns, it’s gonna be a lot tougher to make us care about what happens to the unfortunate Mr. Cobb.

What about the relationship between Oz and Vic? Do you think the aging gangster really wants to mentor this kid, or would he push poor Vic under a bus if he thought it would help him climb the ladder?

Lisa: If Oz was going to kill Vic, he already had plenty of opportunities to do so and didn’t. He absolutely should because Vic will have a big part in Oz’s eventual downfall. I don’t look at Oz mentoring Vic.

I’m not really sure what he’s doing other than maybe he sees something of himself in Vic and that’s why he’s keeping him around – other than the fact he doesn’t want to be alone.

There is one more theory, though – maybe Oz keeps Vic around so that if the shit hits the fan with any of his schemes, he has someone else to blame. And if it ever gets to that point, Vic is a goner.

Whitney: At this point in the story, I think he’s trying to mold Vic into himself. But if he had to choose between saving Vic or himself, it wouldn’t even be a question. But would I be surprised if over the course of the season their “partnership” deepens and Oz genuinely comes to care for the kid? No.

Oswald CobbOswald Cobb
(Photograph by Macall Polay/HBO)

But I do believe Oz will always choose Oz first.

Thomas: He does but, at the same time, his mother is not exactly heading home with the “best parent of the year” award. Oz will take his mother’s lead in how he brings Vic along, which will likely be pretty harsh from time to time.

Vic is an important piece of the puzzle that drives empathy for Oz. Losing him now would definitely turn the table with how The Penguin is perceived.

Tyler: Even though he’s committing a petty crime when we first meet him, Vic is the moral center of the show. I think Oz is mostly out for himself, but his soft spot for vulnerable people like Vic and his mom is one of the things that keeps me rooting for him.

So I hope he’ll eventually wish to fill a father figure role for Vic, just like the older generation of gangsters did for him. I don’t think that level of sincere affection is there yet, but I can see it building.

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