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Sisu: Road To Revenge review – a Suomi western

It is that Finnish word ​“that cannot be translated” again, and yet which is translated, also again, in opening text, as ​“a

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Rage and defiance in les banlieues – La Haine at…

The invisible loyalties between Vinz, Hubert and Saïd suggest that they are childhood friends, splintering in young adulthood because of

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Predators review – one of the most valuable…

Despite only running between 2004 and 2007, To Catch a Predator had an indelible impact on popular culture. Fronted by the

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Now You See Me: Now You Don’t review – new,…

Louis Leterrier’s unlikely 2013 hit, Now You See Me, opens with an instruction: ​“Come closer… Closer… The closer you are the

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Predator: Badlands review – a strangely wholesome…

Predators: Badlands works best when it’s dealing with the organic. In the soft, frictionless world of so many computer-generated tentpole spectacles,

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Yorgos Lanthimos, Bugonia, and the Long Shadow of…

The film’s title, renamed from the story’s original Save the Green Planet!, speaks to a central fascination of Kubrick spanning from Lolita

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Dragonfly review – comes tumbling down in a…

Do you know your neighbour? Do you know them by name? Have you held a conversation beyond ​“hi, do you have

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Yemi Bamiro on the making of Black Is Beautiful:…

It was the Brooklyn-born, Bronx-raised, and Harlem-championing photojournalist Kwame Brathwaite who came to popularise the phrase ​“Black is Beautiful,” which

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The Mastermind | Springsteen: Deliver Me From Nowhere | Two Lane Blacktop (1971)

On Truth & Movies this week, we discuss Kelly Reichardt’s The Mastermind, Springsteen: Deliver Me From Nowhere, and finally, for

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Hedda review – Tessa Thompson reshapes the…

For a director’s project that would come in between an MCU sequel and the latest in the 28 Days… zombie horror