- April 20, 2026
Rose of Nevada review – a gorgeous Cornish…
I came into this world eyes crossed, the small tip of my nose made bow. The moment my spine steadied
Departures review – the turbulent journey of…
Like boarding a flight for somewhere promising, only to be met with an emergency landing, Departures never quite reaches the emotional depth
The Blue Trail review – a winding and creative…
“Taking care of our elderly is not a choice, it’s a patriotic duty,” an ominous voice from the sky declares in the
The Stranger review – filmed like a laconic,…
A confession: I am really not a fan of the French filmmaker Franoçois Ozon. He seems like a lovely chap. Literate, passionate, with
Undertone review – hits only bum notes
There’s an argument to be made that audio is consistently underutilised in cinema – despite the advent of Dolby Atmos,
The Super Mario Galaxy Movie review – even worse…
Regrouting blackened bathroom tiles; filling out a commercial tax return; cleaning the mouldering leaves out of a clogged storm drain; grudgingly buying
Fuze review – popcorn fair that fizzles out…
For those not intimately familiar with the topographical and historical minutiae of the UK, the relatively blasé way in which
My Undesirable Friends: Part I – Last Air in…
In 1971, French filmmaker Jacques Rivette made a 13-hour opus called Out 1. Its extended runtime was necessary to encompass the
Pompei: Below the Clouds review – a stimulating…
The inner lives of buildings and institutions provide an intriguing and enlivening way of looking at the modern landscape, particularly
Fallen Star: In Praise of The Man Who Fell To Earth
From there, he goes into seclusion in the dry Southwestern landscapes that likely remind him most of home, inadvertently retreating